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Outlaw King Review
By: Sarah Mason on Jan 8, 2019 at 12:51:37 am
On this episode of The Harold & Maudecast hosts Sarah Mason and Jake Essoe review the Netflix original movie, OUTLAW KING, starring Chris Pine and Aaron Taylor-Johnson, based on the life of Scotland's Robert the Bruce.
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The Predator
By: Sarah Mason on Jan 8, 2019 at 12:47:36 am
On Episode 334 of The Harold & Maudecast, The Predator Review and Why We Still Love the Franchise. Hosts Sarah Mason and Jake Essoe review the latest installment in the Predator franchise which opened to disappointing box office returns and not so favorable critics reviews. Diehard Predator fans, listen up as we talk why you should go see the film and why we will never give up on the franchise!
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Finding a Place in LA's Post Industry: Emerging Editor Kelsey Myers
By: Kylee Peña on Nov 26, 2018 at 6:28:48 pm
Note: This blog was written by Kelsey Myers, one of two recipients to be sent by Blue Collar Post Collective to ACE EditFest LA, an annual celebration of the craft of editing hosted at Disney by the American Cinema Editors . Blue Collar Post Collective's Professional Development Accessibility Program identifies lower income emerging talent in post production and provides them an opportunity to attend important industry events where they can build their education and professional network to take the next step in their careers. It's important for emerging talent to be present in these spaces to remind everyone they belong...
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Society of Camera Operators Produces Sneaky Pete Round Table
By: Samantha Bryton on Aug 14, 2018 at 8:52:44 pm
Recently, the Society of Camera Operators produced a roundtable discussion moderated by filmmaker and writer Charles Haine, featuring DP Will Rexer and the camera crew behind Amazon's Sneaky Pete. This 10-minute video dives into the nuances and "how-to" on the production set, as well as what technology supported the DP's vision, including the Sigma Cine prime and zoom lenses.
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Women are tired and I'm watching them leave post production
By: Kylee Peña on Aug 6, 2018 at 10:17:34 pm
July 2018 edit : It's been about a year since I originally wrote this, and it's sparked endless conversations about paper cuts and microaggressions in the post production industry, and even a session with the Diversity Steering Committee at the Motion Picture Editors Guild last fall. This isn't a problem that's going away anytime soon, but when we talk about it we normalize it. We make it okay to be fed up and frustrated, and we make it essential to find each other and vent it out. I've updated this post a little bit with things I've learned since, and...
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Comic-Con Diairies 2018
By: Sarah Mason on Jul 27, 2018 at 9:07:41 pm
Did the absence of Marvel, HBO and Star Wars effect the mood and numbers at San Diego International Comic-Con (SDCC) 2018? SDCC hit its peak in 2015 at 170,000 attendees, a number that has been slowly declining, much to the happiness of diehard fans who have seen the focus shift away from them and onto Hollywood fair-weather fans. In Episode 332 of The Harold & Maudecast, Sarah and Jake discuss the impact Marvel's absence had on the Con and its future and detail their experiences at this year's Comic-Con from Preview Night to ConanCon to fan favorite spotlights like Jim...
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Age of Distraction 4: Almost Invisible - Aging in Hollywood
By: Sarah Mason on Jul 27, 2018 at 9:06:35 pm
On this episode of The Conversations Podcast from The HMC Network, Age of Distraction 4: Almost Invisible. Host Sarah Mason talks to screenwriters Stephen Godchaux and Warren Lewis about aging in Hollywood, how Millennials and the culture of being woke are shaping content, also the continuing impact of Trump and MeToo on storytelling.
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An Emerging Editor's First Trip to New York: Sight, Sound, and Story Recap
By: Kylee Peña on Jul 14, 2018 at 3:54:53 pm
Note: This blog was written by Brandon Marchionda , one of two recipients to be sent by Blue Collar Post Collective to New York City and Manhattan Edit Workshop's "Sight, Sound, and Story" educational event which highlights the life and work of top editors working in the industry today. Blue Collar Post Collective's Professional Development Accessibility Program identifies lower income emerging talent in post production and provides them an opportunity to attend important industry events where they can build their education and professional network to take the next step in their careers. It's important for emerging talent to be present...
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Experimenting with Vertical Video and IGTV
By: walter biscardi on Jul 5, 2018 at 2:05:55 pm
I began experimenting pretty much immediately after IGTV was launched and it's turning out to be quite a lot of fun, and challenging. As I mentioned in my first post, one of the biggest challenges is the lack of horizontal space for graphics and to showcase elements in the scene.
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E3 2018 Preview
By: Sarah Mason on Jun 12, 2018 at 4:00:23 pm
The Harold & Maudecast are going to E3! On Episode 329 hosts Sarah Mason and Jake Essoe preview the ultimate gaming convention taking place at the Los Angeles Convention Center June 12-14. We go through the list of top games and news to watch for from Ubisoft's omission of Splinter Cell at their press conference, Sony's The Last of Us Part II and what will Nintendo's booth be like this year!?
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A Conversation with HBO's Asian American Visionaries: Director Huay-Bing Law
By: Clarence Deng on Jun 6, 2018 at 10:15:02 pm
“Now that Black Panther has set a new precedent, people are like, ‘You know what, the audience is ready. They're ready for new faces’, and that’s really, really exciting for us right now. It's just about breaking the mold, moving forward, and being able to tell the stories I've been waiting to tell for so long.” – Marrite Go, director
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A Conversation with HBO's Asian American Visionaries: Director Feng-I Fiona Roan
By: Clarence Deng on Jun 6, 2018 at 9:26:14 pm
“Now that Black Panther has set a new precedent, people are like, ‘You know what, the audience is ready. They're ready for new faces’, and that’s really, really exciting for us right now. It's just about breaking the mold, moving forward, and being able to tell the stories I've been waiting to tell for so long.” – Marrite Go, director
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A Conversation with HBO's Asian American Visionaries: Director Maritte Go
By: Clarence Deng on Jun 6, 2018 at 9:19:31 pm
“Now that Black Panther has set a new precedent, people are like, ‘You know what, the audience is ready. They're ready for new faces’, and that’s really, really exciting for us right now. It's just about breaking the mold, moving forward, and being able to tell the stories I've been waiting to tell for so long.” – Marrite Go, director
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Age of Distraction 3: Is Social Change Driving the Story
By: Sarah Mason on Jun 4, 2018 at 10:15:16 pm
On this episode of The Conversations Podcast, The HMC continues its series, Writing in the Age of Distraction with Part 3: Is Social Change Driving the Story. Host Sarah Mason sits down with screenwriters Warren Lewis (BLACK RAIN) and Stephen Godchaux (Roseanne, Dead Like Me) to discuss writing in a politically charged era -- how and why social movements like #MeToo #BlackLivesMatter and #Parkland are driving storylines from Roseanne to Big Little Lies to Get Out. Should story creators be in the bridge building business or simply entertainment us, and does the success of Black Panther suggest audiences want both?...
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To Infinity and Beyond - Avengers: Infinity War
By: Sarah Mason on Jun 4, 2018 at 10:13:00 pm
On Episode 326 of The Harold & Maudecast, "Infinity and Beyond", Sarah and Jake review the movie with the biggest box office opening in history, AVENGERS: INFINITY WAR, and talk Marvel's master plan, how they got all these super heroes to play together like a well finessed boy(girl) band.
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Saturation Wars: How Much Star Wars is Too Much?
By: Mike Cohen on May 29, 2018 at 8:35:01 pm
When Disney announced that they would be making a new Star Wars movie every year for at least 10 years I was both excited and a bit skeptical. Back in the 80s it took 3 years for the next SW movie to come out. After Star Wars IV the world waited eagerly for the next one. Empire is now considered the best one for many reasons, and Jedi was anticipated mainly to answer the big cliffhanger questions posed by Empire.
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Adobe Explains the Laurel vs. Yanny Phenomenon
By: Kylee Peña on May 17, 2018 at 2:11:02 am
Yesterday I left the internet alone for about an entire hour to watch some quality Netflix streaming, and when I returned I had no idea what anyone was talking about or why they were on the verge of wrestling each other to the ground over a couple people named Yanny and Laurel.
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Creating a Kickass Scriptwriting Portfolio
By: Zack Halliwell on May 14, 2018 at 8:23:35 am
Filmmaking is one of the biggest and most intensive collaboration processes out there. From a production assistant all the way to the director, you need more than a few good people in order to bring a film to life in a convincing way. This includes someone who is capable of stringing together a workable and decent script.
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Attend Sight, Sound, and Story in NYC for Free
By: Kylee Peña on May 7, 2018 at 4:08:03 am
If you're a full time post production worker in the US that makes less than the median income where you live, you might have some trouble making the next leap in your career. It's hard to say yes to opportunities that would enrich your work life and help you build connections to climb the ladder when your finances limit your choices. That's why Blue Collar Post Collective created the Professional Development Accessibility Program (PDAP).
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ifun Pocket Cinema— The Smart Handy Projector To Meet All Your Daily Needs
By: Sherry Marlin on Mar 9, 2018 at 8:20:44 am
What if you are on the go and require someone to give business presentation? Or wondering what should be done to make your weekend awesome? Or too lazy to visit cinema theatre but want to enjoy your favorite movie on big screen at your house? If you ever encountered with these questions, then you need ifun pocket cinema which is handy smart device powered by Android 7.1. We all understand the power of Android devices and perhaps that is the reason that more than 80% of world is using Android and ifun pocket cinema perfectly uses the power of latest...
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Dispatches from PyeongChang: Editing the Olympics (Part 5)
By: Kylee Peña on Feb 24, 2018 at 6:21:56 pm
Growing up, I was always glued to the Summer or Winter Olympics. And as a young and ambitious video nerd, I wondered what went into the incredible number of visual stories being told. Luckily I crossed paths with editor Mike Api who is currently in PyeongChang, South Korea, freelancing for NBC in his second Olympic Games. Mike’s “unit” is in the “Control C/Graphics Ingest” unit — that is, the department that cuts promos, sponsorship enhancements, and a few athletic features (or in other words, packages and profiles).
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Dispatches from PyeongChang: The Edit Infrastructure of the Olympics (Part 4)
By: Kylee Peña on Feb 22, 2018 at 5:43:33 am
Growing up, I was always glued to the Summer or Winter Olympics. And as a young and ambitious video nerd, I wondered what went into the incredible number of visual stories being told. Luckily I crossed paths with editor Mike Api who is currently in PyeongChang, South Korea, freelancing for NBC in his second Olympic Games. Mike’s “unit” is in the “Control C/Graphics Ingest” unit — that is, the department that cuts promos, sponsorship enhancements, and a few athletic features (or in other words, packages and profiles).
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Being an Assistant Editor on a Sundance Documentary: Julie Hwang on "The Game Changers"
By: Kylee Peña on Feb 19, 2018 at 12:30:27 am
Before the lush celebrity gift suites, the sold-out Q&A sessions, and the long lines of frozen but eager cinephiles trying to grab the hottest ticket in Park City, a movie was made -- and it was hard work. And behind the producers and directors and actors who led the charge, a "below-the-line" crew of anywhere from tens to hundreds of craftspeople worked to bring filmmakers' visions to life. They're the post production engineers, the editors, the camera operators, or the composers whose names are in the credits but not the numerous story pitches to Sundance press outlets like the COW....
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Dispatches from PyeongChang: Editing the Olympics (Part 3)
By: Kylee Peña on Feb 17, 2018 at 6:07:11 pm
Growing up, I was always glued to the Summer or Winter Olympics. And as a young and ambitious video nerd, I wondered what went into the incredible number of visual stories being told. Luckily I crossed paths with editor Mike Api who is currently in PyeongChang, South Korea, freelancing for NBC in his second Olympic Games . Mike’s “unit” is in the “Control C/Graphics Ingest” unit — that is, the department that cuts promos, sponsorship enhancements, and a few athletic features (or in other words, packages and profiles).
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Dispatches from PyeongChang: Preparing to Edit the Olympics (Part 2)
By: Kylee Peña on Feb 4, 2018 at 8:01:41 am
Growing up, I was always glued to the Summer or Winter Olympics. And as a young and ambitious video nerd, I wondered what went into the incredible number of visual stories being told. Luckily I crossed paths with editor Mike Api who is currently in PyeongChang, South Korea, freelancing for NBC in his second Olympic Games . Mike’s “unit” is in the “Control C/Graphics Ingest” unit — that is, the department that cuts promos, sponsorship enhancements, and a few athletic features (or in other words, packages and profiles).
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Create Visual Art with Adobe, Be in a BØRNS Music Video
By: Kylee Peña on Jan 30, 2018 at 6:50:28 am
The name BØRNS may or may not be familiar to you at first glance — after all, you’re probably here for video stuff, generally speaking — but I can almost certainly guarantee you’ve heard his music — especially Electric Love , which hit over 20 million views on YouTube when it was released and subsequently certified platinum. BØRNS, now in Los Angeles, is from roughly the same area of Michigan as my extended family. Despite his humble midwestern roots, he’s nothing like (most) of my relatives: described as glam rock, indie pop, and everything from eccentric to exotic to enigmatic....
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Dispatches from PyeongChang: Editing the Olympics (Part 1)
By: Kylee Peña on Jan 29, 2018 at 5:51:43 am
Growing up, I was always glued to the Summer or Winter Olympics. And as a young and ambitious video nerd, I wondered what went into the incredible number of visual stories being told. Between pre-cut packages and live footage and montages put together with moments that had happened seconds ago, I couldn’t fathom what went into the teams who created this media.
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Being a Camera Operator on a Documentary at Sundance: DP Barbie Leung on 'Half the Picture'
By: Kylee Peña on Jan 23, 2018 at 8:38:09 pm
Before the lush celebrity gift suites, the sold-out Q&A sessions, and the long lines of frozen but eager cinephiles trying to grab the hottest ticket in Park City, a movie was made -- and it was hard work. And behind the producers and directors and actors who led the charge, a "below-the-line" crew of anywhere from tens to hundreds of craftspeople worked to bring filmmakers' visions to life. They're the post production engineers, the editors, the camera operators, or the composers whose names are in the credits but not the numerous story pitches to Sundance press outlets like the COW....
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Sundance Impressions: Snow and “The Sentence”
By: Kylee Peña on Jan 21, 2018 at 5:08:26 am
The threat (or promise, depending on your outlook) of snow delivered today in full force. So much so that I was taken off guard and missed an early screening due to basically being buried in a snow drift. I was born and raised in the midwest, and I started driving at age 16 with a very light front wheel drive vehicle in the dead of winter in a rural area. But it turns out once you live in LA for like, a minute, your natural instincts begin to disappear and you struggle to remain upright.
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Bringing Cinema to a Computer Screen: Cutting "Search" for Sundance
By: Kylee Peña on Jan 20, 2018 at 7:59:18 am
Before the lush celebrity gift suites, the sold-out Q&A sessions, and the long lines of frozen but eager cinephiles trying to grab the hottest ticket in Park City, a movie was made -- and it was hard work. And behind the producers and directors and actors who led the charge, a "below-the-line" crew of anywhere from tens to hundreds of craftspeople worked to bring filmmakers' visions to life. They're the post production engineers, the editors, the camera operators, or the composers whose names are in the credits but not the numerous story pitches to Sundance press outlets like the COW....
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