: The Harold & Maudecast - Sarah Mason & Jake Essoe
On this episode of The Harold & Maudecast, Sarah Mason and Jake Essoe interview Cinematographer, Lawrence Sher, for his work on Joker.
Joker marks the sixth film Lawrence Sher has worked with director Todd Phillips. Their successful relationship began with The Hangover and, as you will hear in our interview, has become a critical and valued partnership for both Sher and Phillips. In addition to the Hangover triliogy, Sher's other credits include Godzilla King of the Monsters, Garden State, War Dogs, Father Figures (which he directed) and Kissing Jessica Stein.
In this interview Sher discusses how the locations were key to Arthur/Joker's character arc, Joaquin's now iconic performance and his conversations with the actor, some insider info about the infamous scene with Mr Chow in The Hangover and whether or not more Joker in his the works.
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On Episode 362 of The Harold & Maudecast, Sarah and Jake review, Joker.
Fledgling comedian Arthur Fleck (Joaquin Phoenix) has been bullied and disregarded his whole life. After an escalating series of abuse and a very public shaming by his comic idol, Murray Franklin (Robert De Niro), Arthur begins a bloody, destructive revolt against society. This dark path he chooses leads him to embrace his alter-ego: "The Joker".
Director Todd Phillips' (The Hangover trilogy), take on the DC character is now the highest grossing R rated movie of all time. More Taxi Drive than Dark Knight, Joker unravels the layers of the character, driven by one of the greatest performances in movie history. Phoenix's Joker never diminishes the brilliance of Heath Ledger and Jack Nicholson's performances. In his committed, conscientious performance he reminds us that the Joker is one of greatest fictional characters of all time. Please give this man an Oscar.
Spoiler Level: Moderate
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|Posted by: Sarah Mason on Dec 5, 2019 at 9:51:38 pm|| joker review, movies, joker, dcu, warner bros, batman, dc, review, listen, podcast|
Two of the hardest working real-life Avengers in the MCU are Jeffrey Ford, ACE and Matthew Schmidt. They shared Editor credits on four of the films -- Captain America: Winter Soldier, Captain America: Civil War, Avengers: Infinity War and Avengers: Endgame and worked together on several more MCU films.
The actors and directors take the lions share of the accolades but its these guys who were literally on the front lines, manipulating the tone, pace, and comedic beats, crafting character archs, and storylines. Avengers: Infinity War and Avengers: Endgame were shot at the same time often forcing the crew to bounce back and forth relentlessly between films and sequences, juggling constant script changing as they shot, "It was like an extreme sport more than filmmaking," stated Ford.
Before joining the MCU with Captain America: The First Avenger, Ford worked on the opposite end of the genre spectrum cutting films like the beloved Christmas classic, The Family Stone, for which he won an ACE "Eddie" Award. Some of his other credits include One Hour Photo, Public Enemies and Crazy Heart. Schmidt joined the MCU on 2012's The Avengers, having previously worked on comic book and genre pictures including Daredevil and I, Robot. His other credits include Contact, A Perfect Murder, and 2007's Halloween (ask him to tell you his Rob Zombie stories).
I sat down with both of them to discuss the massive undertaking of bringing the Tony Stark lead MCU to an end.
For more Crafts Behind Avengers: Endgame visit thehmcnetwork.com
With over 100 film credits, two Oscar nominations, two Golden Globe nods, three Grammy Awards, two Emmy awards and countless other film and music awards, Alan Silvestri has created some of the most iconic film scores in movie history.
Silvestri describes his 35-year collaboration with director Robert Zemeckis like a marriage, "You go through a lot, ups and downs. You develop a shorthand and a trust and then 24 films later. It's amazing." Those 24 films include Forrest Gump, Back to the Future trilogy, Who Framed Roger Rabbit, The Polar Express, Castaway and the upcoming adaptation of Roald Dahl's The Witches.
Silvestri's compositions span multiple film genres: From Predator to Overboard, Practical Magic to The Abyss, Tales from the Crypt to The Parent Trap, this genius can never be pigeonholed. Just look at his IMDb credits for proof. No doubt he composed one of your favorite movie scores.
Silvestri's relationship with the MCU began with 2011's Captain America: The First Avenger and continued with his score for 2012's The Avengers, arguably the most memorable theme in the MCU. That theme has woven its way through every film in the universe since. In addition to those two and Avengers: Endgame, Silverstri also scored Avengers: Infinity War.
In one of my all time greatest fangirl moments, I sat down with Alan Silvestri to discuss his work on Avengers: Endgame and managed to get a few other questions in about his impressive decades-long career.
For more Crafts Behind Avengers: Endgame visit thehmcnetwork.com
On Episode 356 of The Harold & Maudecast, co-hosts Sarah Mason and Jake Essoe review Quentin Tarantino's 9th film, ONCE UPON A TIME IN HOLLYWOOD, starring Brad Pitt and Leonardo DiCaprio.
Set in 1969 Hollywood, Rick Dalton (DiCaprio) is an aged-out movie/TV start demoted to playing the Heal in popular TV shows. Cliff Booth (Pitt) is Dalton's longtime stunt double and now driver. If Dalton good just get the attention of his neighbors, Roman Polanski (Rafal Zawierucha), the hottest young director in Hollywood and his actress/ingenue wife Sharon Tate (Margot Robbie), he could get back in the game. The film is centered on Rick and Cliff's stories, separately and together amidst the backdrop of one of the most horrific crimes in American history, the Manson Murders. Tarantino masterfully wades you through the boredom and melancholy that is Dalton's life trying to hold onto his place in Hollywood. All the while, the tension is building as you cannot stop wondering how Tarantino is going to handle what you know has happened in real life. Will he rewrite history as he did in INGLORIOUS BASTARDS? The ending is worth every mundane moment in the film--not to say it is not entertaining. It is purposeful, as Tarantino always is, in its stillness focusing on the story of these two men with the larger point looming about the changing of the guard. It's impossible to discount the parallels to today's Hollywood; the death of the theater experience and actual film in the wake of streaming and digital. It's a grand FU to those trying to dismiss the genius of those who have come before them.
The film is filled with great Quentin-cameos including Michael Madsen, Kurt Russell, Bruce Dern, Al Pacino, Timothy Olyphant, Dakota Fanning, Tim Roth (who's part was cut) and Luke Perry in his last film appearance. Tarantino's longtime Cinematographer, Robert Richardson adds to the beauty and brilliance of this very thoughtful, surprising and thought-provoking film that you will want to see more than once.
SPOILER ALERT! This review and commentary contains them. You've been warned.
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It's the 50th anniversary of San Diego Comic-Con ! Sarah and Jake go through the biggest announcements from SDCC50 and their favorite moments on Episode 355 of The Harold & Maudecast.
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On Episode 354 of the Harold & Maudecast, Sarah and Jake dissect Stranger Things Season 3 (SPOILERS!).
The Hawkins kids are growing up, much to the dismay of Chief Hopper ( David Harbour) who is struggling to keep Eleven "El" (Mille Bobbie Brown) and Mike (Finn Wolfhard) 3 inches apart. Meanwhile Joyce (Winona Ryder) is busy trying to uncover the secret to the falling refrigerator magnets, Steve (Joe Keery) is scooping ice cream in a sailor uniform with Ethan Hawke and Uma Thurman's daughter Maya Hawke (who plays Robin), Dustin has a girlfriend! Billy's been invaded by the Mindflayer body snatcher, Lucas and Max are on again off again, nobody wants to play D&D with Will anymore, and Russians have landed in Hawkins, Indiana.
We get into it all the awesome details of Season 3 and countdown to Comic-Con's 50th anniversary with some previews of the Hall H panels and ConanCon 2019.
For more episodes visit thehmcnetwork.com
Episode 353 of The Harold & Maudecast features Sarah and Jake's guide to Summer 2019 Movies that won't suck (fingers crossed). We go through the list of what's dropping June, July and August and give our picks for ones to go see in the theaters.
We also review two movies now streaming, Deadwood: The Movie and Bad Times at the El Royale.
It's been a long time coming for Deadwood fans but the feature length film, Deadwood: The movie, gives the award-winning HBO series its badly deserved sunset ride. It's been 10 years since we visited the outpost in South Dakota, now a fully formed town equipped with a telephone and other modern amenities. All the residents (and we mean, all the entire cast re-assembled for the movie), gather to commemorate Dakota's statehood in 1889. Everyone's favorite saloon owner Al Swearengen (Ian McShane) and Marshal Seth Bullock (Timothy Olyphant_ clash with now Senator George Hearst (Gerald McRaney). The story doesn't tie up loose threads, per say, rather choosing to move forward with the story as it has been 13 years since the show met its untimely demise. It's a smart choice. Seeing how progress has affected Deadwood and its residents seems fitting. The script, penned by show creator David Milch, is as brilliant as Shakespearean as ever in its tragic brilliance and unapologetic ugliness. We highly recommend this film, must-see for fans of the series. If you haven't seen it, go binge it immediately then watch the film. You have the advantage of being able to see it instantly rather than being left hanging over a decade. All three seasons and Deadwood: The Movie are now streaming on HBO.
Bad Times at the El Royale is a mash up of Agatha Christie's, And Then There Were None and the film Four Rooms. Set on the Nevada/California border circa 1969, a group of strangers ascend upon the El Royale motel in Tahoe. Each has a secret and a past, unveiled throughout the course of one stormy, violent night. The film is written and directed by Hollywood powerhouse Drew Goddard, (The Martian, World War Z, Daredevil, Lost, Buffy the Vampire, Lost, Cabin in the Woods) and stars Jeff Bridges, Chris Hemsworth, Dakota Fanning, Jon Hamm, Nick Offerman, Cynthia Erivo and Lewis Pullman (Bill Pullman's son) in a breakout role. From the open sequence the film looks both cool and creepy, which is exactly what you want in a mystery. The first half continues to allude with the promise of classic mystery twists and turns. Unfortunately, the introduction of Hemsworth, who is horribly miscast as the Manson-esque psycho killer, re-routes the story in a trite and predictable direction. Still worth watching for the performances, Bridges, Pullman and British actress Erivo who charms with her renditions of Motown classics.
Also in this episode, highlights from E3 2019.
For more episodes, articles and info visit www.thehmcnetwork.com
On Episode 351 of The Harold & Maudecast, Sarah and Jake dissect Game of Thrones, Ep 805, "The Bells".
Oh no she didn't! Yes, she did. If you re-watched every episode of Thrones from 101 to 805, you may have seen this coming but the speed in which they took Daenarys from liberating Mother of Dragons to Madder than her Daddy Queen alarmed a lot of Game of Thrones series fans. The fan series have been meme'ing up the internet for weeks and with every episode proving they are far more interesting then the actual show. The latest being, Arya and the White Horse, is she the bringer of death, will she fulfill the brown eyes, blue eyes, green eyes prophecy and kill Dany before she destroys another city? Don't bet on it. Plot lines and character arcs have been dropping like Dothrakis in the dark this season....yet seems to still be many Dothraki left. Hmmm. We get into all of this and more.
Also our long overdue review of M. Night Shyamalan's (sorta) sequel to UNBREAKABLE and SPLIT, GLASS, now streaming.
For more episodes of The Harold & Maudecast including all of our We talk Throne reviews visit www.thehmcnetwork.com
|Posted by: Sarah Mason on May 21, 2019 at 3:32:37 pm|| game of thrones 805, glass, reviews, game of thrones, got8, the bells, movies, tv, hbo, podcast|
Episode 352 of The Harold & Maudecast: Ghost vs John Wick's Dog for the Throne
Sarah and Jake review JOHN WICK 3: PARABELLUM and the much anticipated Game of Thrones Finale.
After 8 seasons, millions of memes, cosplay and viewing parties, Game of Thrones has come to an end. The finale episode aired on HBO, Sunday, May 19th breaking records with 19.3m viewers. Lucky for the Showrunners, a plastic water bottle (like its predecessor the Starbuck's cup) managed to out Trend the overwhelming negative reaction to the finale. The finale left many threads untied for the potential spinoffs and prequel that is already in pre-production. We found ourselves amongst those who were less than satisfied with the hectic, deliberate tie-up of this incredible story. But we can back up up every point.
Our Game of Thrones finale review is first up on the podcast, John Wick 3 Review Starts @ 43:52.
For more movie reviews and our entire We Talk Thrones library, dissecting Seasons 1-8, visit www.thehmcnetwork.com
|Posted by: Sarah Mason on May 21, 2019 at 3:29:13 pm|| game of thrones finale, john wick 3, review, game of thrones, got8, george r r martin, hbo, movies, tv, podcast, john wick, keanu reeves||
The HMC Network is a podcast network featuring genre entertainment commentary, movie and TV reviews, video game reviews, lifestyle & travel, event & Con media coverage & more. Featured on the Creative COW is our flagship podcast, The Harold & Maudecast hosted by Sarah Mason and Jake Essoe.
Combining critical analysis with passionate fandom, The Harold & Maudecast offers a fully-informed look at your favorite movies, TV and video games. Commentary and reviews include the latest Walking Dead and Game of Thrones episodes, film festival and Comic Con & fan fest event coverage, technology expos and more.
Fandom Never Gets Old.