HP was everywhere at NAB 2016. We met Mike Diehl, product manager for the z workstation. We asked him about what makes the z workstation the go-to PC for video professionals. His answer was quite interesting.
He also talked about the new all-in-one Z1 G3 workstation.
presented by www.imagespc.com
packaging : www.motionvfx.com
Keyflow Pro is one of those obvious piece of software you wish always existed. It's seems so obvious and easy to use that you feels like you've been using it forever.
Keyflow Pro is a personnal asset manager with great scalability. It's interface looks like a mix between iTunes and Final Cut Pro X. It enables anybody with access to a media pool to import, classify, annotate, export and share media assets. It can manage video, images, PDF or any documents.
It can open anything accessible through AV Foundation, FFMPEG and RED plugins. It can also export quickly to easily accessible proxy media.
KeyFlow can also export FCP7, FCPX and Premiere Pro projects/XML. Other user can also benefit from it CSV export capabilities.
Since it's available in the App Store, it's available to any number of employees using the company's Apple ID. Theyr can then create independant libraries and albums that they can share through KeyFLow's own user system.
It is now available for 199$ for a limited time (299$ after NAB)
présenté par www.imagespc.com
We paid a visit to AVID at NAB 2016. There were showing the new collaboration mode in Pro Tools 12.5. In addition to enable multiple musicians to share a session through the new cloud service, this updates integrates new communication tools.
présenté par www.cev.ca
This is a tric that could help you save a lot of time while creating project in Resolve 12. In this episode, Mathieu Marano shows you how you can create and use template project in Resolve so that you can keep these parameters from project to project:
We were at NAB 2016 and met with Bryce Button of AJA. We asked him to explain why AJA is betting on HDbaseT and IP video. In this short video he explains the difference between these 2 ways of transporting HD and 4K video.
This might get in you edit room sooner than you think.
There are a couple reasons you’d want to create proxies in Premiere Pro CC 2015: to send a project to an editor through a web upload service, to work on a underpowered station or simply to convert 6K footage to HD work files.
In this 9th episode of My Canadian Studio, Éric St-Martin shows Mathieu Marano how to create proxies that can be used to exchange projects between editors and workstations. Be sure not to miss a neat trick that automatically reconnects the timelines to the original media when needed.
The latest version of Autodesk Flame as a very neat feature for anybody who has to deal with many version of a timeline like it often happens in commercial sessions. The Connected timeline will help the editor to propagate any change applied to a single shot to any other instance of this shot in the other timelines.
In this episode on My Canadian Studio Frederic Warren shows Eric St-Martin how much time can be saved by using this feature in Flame.